Part 3: Working Annotated Bibliography
Barthes, R, Death of the Author, from Image, Music, Text, Hill and Wang, USA, 1977. – Issues of authorship, questions relevance of the authors intentions.
Bartow, A, Electrifying Copyright Norms and Making Cyberspace More Like a Book, from Villanova Law Review, Vol. 48, 2003, available at http://papers.ssrn.com/sol3/papers.cfm?abstract_id=368180, SSRN.COM, 2006 Social Science Electronic Publishing, Inc. (A full draft version can be found at http://www.cfp2002.org/fairuse/bartow.pdf) – examination of the effects of not ‘electrifying’ existing copyright laws to suit digital material (rather large).
Becker, S and Hagaman, D, Digital Image Ethics (Afterward), from Image Ethics in the Digital Age, University of Minnesota Press, USA, Minneapolis, 2003. – An afterward which summarizes and concludes the points of view presented throughout the collection of essays.
Bousé, D, Computer Generated Images, from Image Ethics in the Digital Age, University of Minnesota Press, USA, Minneapolis, 2003. – discusses the increase in uses of CGI in film in particular.
Caplin, S, The Complete Guide to Digital Illustration, Watson Guptill, New York, 2003 – Relatively self explanatory; identifies a variety of techniques.
Caughie, J, Theories of Authorship: a reader, Routledge Kegan & Paul, London, 1981. – Another viewpoint on authorship, specifically film related.
Gere, G, Digital Culture, London, Reaktion Books, 2002. – Gives an insight into how our culture became digitized, and the general effects.
Gross, L, Stuart Katz, J, Ruby, J, Introduction, from Image Ethics in the Digital Age, University of Minnesota Press, USA, Minneapolis, 2003. – An informative general outlook on the ethical issues surrounding modern visual arts.
Halpern, S, Copyright Law and the Challenge of Digital Technology, from Image Ethics in the Digital Age, University of Minnesota Press, USA, Minneapolis, 2003. – Issues around the questions that modern technological advances ask of the copyright laws.
Herrigel, A, et al, Secure Copyright Protection Techniques for Digital Images, from Information Hiding: Second International Workshop, Springer Berlin, Oregon, 1998. – introduces ideas to make the copyright of digital images more secure.
Hollis, R, Graphic Design: A Concise History, Thames and Hudson, London, 1994. – Provides an overview of the design industry’s development as a whole; useful reference.
Hughes, B, Dust or Magic, Pearson Education, Britain, 2000. – Explores multimedia graphics and the fine line between visual success and failure.
Jacobs, K, Disposability Graphic Design Style and Waste, from Looking Closer: Classic Writings on Graphic Design, Allworth Press, New York, 1994. – Possible venture into the disposability of modern design?
Leval, P N, Toward a Fair Use Standard, from Harvard Law Review Vol. 103, The Harvard Law Review Association, Massachusetts, 1990. – An examination of the copyright law for visual arts, presenting various legal cases to support.
Lupton, E, The Producers, from Inside Design Now: National Design Triennial, Princeton Arch, New York, 2003. – Explores the varying repertoire of creative avenues designers now explore.
Lustig, A, What is a Designer?, from Looking Closer 3: Classic Writings on Graphic Design, Allworth Press, New York, 1999. – Potential questions about what it takes to be called a designer in the modern age?
Negroponte, n, Being Digital, Knopf Inc., New York, 1995. – Describes the evolution of media technology and what it means for our future.
Phillips, T, A Humument: A Treated Victorian Novel, Tetras Press, London, 1970. – A classic example of an altered book, by Thom Phillips, which raises issues of Authorship.
Phillips, T, Works and Texts, Thames and Hudson, London, 1992. – Further examples of Tom Phillips work- an artist who is a textbook case in terms of authorship issues.
Pinder, K, Digital Graphic Design, Focal Press, UK, 1996. – Introduction explores the rapid advances in graphic design software.
Poster, M, What’s the matter with the Internet?, University of Minnesota Press, Minneapolis, 2001 – Raises some issues on digital authorship, surrounding internet circulation.
Rock, M, The Designer as Author, from Eye Magazine Volume 20, Haymarket, Britain, 1996. – Discussion on the designer’s role as an author of various media.
Sontag, S, Regarding the Pain of Others, Farrar, Straus and Giroux, New York, 2003. – Provides an insight into the desensitising effects of our fast growing media culture.
Umbaugh, S, Computer Imaging: Digital Image Analysis and Processing, CRC, Florida, 2005. – understanding various concepts of computer imaging.
Weil, S, Fair Use and the Visual Arts, Please Leave some room for Robin Hood, from Image Ethics in the Digital Age, University of Minnesota Press, USA, Minneapolis, 2003. – Questions based on what constitutes a fair use of material surrounding the copyright laws and their integrity.
Wolf, C, Digital Millennium Copyright Act: Text, History, and Caselaw (Overview), Pike and Fischer, Maryland, 2003. – Overview covering the entire US copyright law relating to the digital age.
Credit:ivythesis.typepad.com
0 comments:
Post a Comment