Part 3: Working Annotated Bibliography


 


 


 




  • Barthes, R, Death of the Author, from Image, Music, Text, Hill and Wang, USA, 1977. – Issues of authorship, questions relevance of the authors intentions.




  • Bartow, A, Electrifying Copyright Norms and Making Cyberspace More Like a Book, from Villanova Law Review, Vol. 48, 2003, available at http://papers.ssrn.com/sol3/papers.cfm?abstract_id=368180, SSRN.COM, 2006 Social Science Electronic Publishing, Inc. (A full draft version can be found at http://www.cfp2002.org/fairuse/bartow.pdf) – examination of the effects of not ‘electrifying’ existing copyright laws to suit digital material (rather large).




  • Becker, S and Hagaman, D, Digital Image Ethics (Afterward), from Image Ethics in the Digital Age, University of Minnesota Press, USA, Minneapolis, 2003. – An afterward which summarizes and concludes the points of view presented throughout the collection of essays.




  • Bousé, D, Computer Generated Images, from Image Ethics in the Digital Age, University of Minnesota Press, USA, Minneapolis, 2003. – discusses the increase in uses of CGI in film in particular.




  • Caplin, S, The Complete Guide to Digital Illustration, Watson Guptill, New York, 2003 – Relatively self explanatory; identifies a variety of techniques.




  • Caughie, J, Theories of Authorship: a reader, Routledge Kegan & Paul, London, 1981. – Another viewpoint on authorship, specifically film related.




  • Gere, G, Digital Culture, London, Reaktion Books, 2002. – Gives an insight into how our culture became digitized, and the general effects.




  • Gross, L, Stuart Katz, J, Ruby, J, Introduction, from Image Ethics in the Digital Age, University of Minnesota Press, USA, Minneapolis, 2003. – An informative general outlook on the ethical issues surrounding modern visual arts. 




  • Halpern, S, Copyright Law and the Challenge of Digital Technology, from Image Ethics in the Digital Age, University of Minnesota Press, USA, Minneapolis, 2003. – Issues around the questions that modern technological advances ask of the copyright laws.




  • Herrigel, A, et al, Secure Copyright Protection Techniques for Digital Images, from Information Hiding: Second International Workshop, Springer Berlin, Oregon, 1998. – introduces ideas to make the copyright of digital images more secure. 




  • Hollis, R, Graphic Design: A Concise History, Thames and Hudson, London, 1994. – Provides an overview of the design industry’s development as a whole; useful reference.




  • Hughes, B, Dust or Magic, Pearson Education, Britain, 2000. – Explores multimedia graphics and the fine line between visual success and failure.




  • Jacobs, K, Disposability Graphic Design Style and Waste, from Looking Closer: Classic Writings on Graphic Design, Allworth Press, New York, 1994. – Possible venture into the disposability of modern design?




  • Leval, P N, Toward a Fair Use Standard, from Harvard Law Review Vol. 103, The Harvard Law Review Association, Massachusetts, 1990. – An examination of the copyright law for visual arts, presenting various legal cases to support.




  • Lupton, E, The Producers, from Inside Design Now: National Design Triennial, Princeton Arch, New York, 2003. – Explores the varying repertoire of creative avenues designers now explore.




  • Lustig, A, What is a Designer?, from Looking Closer 3: Classic Writings on Graphic Design, Allworth Press, New York, 1999. – Potential questions about what it takes to be called a designer in the modern age?




  • Negroponte, n, Being Digital, Knopf Inc., New York, 1995. – Describes the evolution of media technology and what it means for our future.




  • Phillips, T, A Humument: A Treated Victorian Novel, Tetras Press, London, 1970. – A classic example of an altered book, by Thom Phillips, which raises issues of Authorship.




  • Phillips, T, Works and Texts, Thames and Hudson, London, 1992. – Further examples of Tom Phillips work- an artist who is a textbook case in terms of authorship issues.




  • Pinder, K, Digital Graphic Design, Focal Press, UK, 1996. – Introduction explores the rapid advances in graphic design software.




  • Poster, M, What’s the matter with the Internet?, University of Minnesota Press, Minneapolis, 2001 – Raises some issues on digital authorship, surrounding internet circulation.




  • Rock, M, The Designer as Author, from Eye Magazine Volume 20, Haymarket, Britain, 1996. – Discussion on the designer’s role as an author of various media.




  • Sontag, S, Regarding the Pain of Others, Farrar, Straus and Giroux, New York, 2003. – Provides an insight into the desensitising effects of our fast growing media culture.




  • Umbaugh, S, Computer Imaging: Digital Image Analysis and Processing, CRC, Florida, 2005. – understanding various concepts of computer imaging.




  • Weil, S, Fair Use and the Visual Arts, Please Leave some room for Robin Hood, from Image Ethics in the Digital Age, University of Minnesota Press, USA, Minneapolis, 2003. – Questions based on what constitutes a fair use of material surrounding the copyright laws and their integrity.




  • Wolf, C, Digital Millennium Copyright Act: Text, History, and Caselaw (Overview), Pike and Fischer, Maryland, 2003. – Overview covering the entire US copyright law relating to the digital age.





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